matija ferlin

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	<title>matija ferlin</title>
	<link>https://matijaferlin.com</link>
	<description>matija ferlin</description>
	<pubDate>Tue, 22 Sep 2026 09:03:02 +0000</pubDate>
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		<title>Backdrop video</title>
				
		<link>https://matijaferlin.com/Backdrop-video</link>

		<pubDate>Wed, 27 May 2020 13:13:06 +0000</pubDate>

		<dc:creator>matija ferlin</dc:creator>

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		<title>Projects</title>
				
		<link>https://matijaferlin.com/Projects-1</link>

		<pubDate>Sun, 26 Apr 2020 22:21:44 +0000</pubDate>

		<dc:creator>matija ferlin</dc:creator>

		<guid isPermaLink="true">https://matijaferlin.com/Projects-1</guid>

		<description>Sad Sam PPP 2 0 2 6 &#38;nbsp;Friedrich Schiller: Maria Stuart&#38;nbsp;2 0 2 6 &#38;nbsp;Jon Fosse:&#38;nbsp;Sleep, My Baby, Sleep&#38;nbsp;2 0 2 5 &#38;nbsp;Show Gone&#38;nbsp;2 0 2 5 Meg Stuart: Matija (Portrait)&#38;nbsp;2 0 2 5&#38;nbsp;Jean Luc Lagarce: Only the End of the World&#38;nbsp;2 0 2 4 &#38;nbsp;Jazzino&#38;nbsp;2 0 2 3 &#38;nbsp;Jon Fosse: Mother and Child&#38;nbsp;2 0 2 3 &#38;nbsp;But I am Alive&#38;nbsp;2 0 2 3 &#38;nbsp;Canti di Prigionia 2 0 2 3 &#38;nbsp;Uno tra i molti epiloghi&#38;nbsp;2 0 2 2 &#38;nbsp;Students of Insistence&#38;nbsp;2 0 2 2 &#38;nbsp;Sad Sam Matthäus 2 0 2 1 &#38;nbsp;A Meditation on Migration or a Garden That is not a Garden&#38;nbsp;2 0 2 0 &#38;nbsp;That Emerging Place&#38;nbsp;2 0 1 9 &#38;nbsp;A Piece For the Occasion 2 0 1 9 &#38;nbsp; Staging a Play: Antigone 2 0 1 8&#38;nbsp; Vladimir Nazor: Water 2 0 1 8&#38;nbsp; Choreography for Objects while the Performer is Absent&#38;nbsp;2 0 1 8 &#38;nbsp;Staging a Play: Tartuffe 2 0 1 7&#38;nbsp; In the Eyes 2 0 1 6&#38;nbsp; Students of Images 2 0 1 6&#38;nbsp; Jonah’s Dialogues 2 0 1 6&#38;nbsp; Staging a Play: Glass Menagerie 2 0 1 5&#38;nbsp; 
Out of Season 2 0 1 5&#38;nbsp; We are Kings not Humans 2 0 1 5&#38;nbsp; Students of Harmony 2 0 1 4&#38;nbsp; 
The Other at the Same Time 2 0 1 2&#38;nbsp; Sad Sam Lucky 2 0 1 2&#38;nbsp; Solitaires 2 0 1 1&#38;nbsp; Onformance 2 0 1 0&#38;nbsp; 
Sad Sam Almost 6 2 0 0 9&#38;nbsp; The Most Together We’ve Ever Been 2 0 0 9&#38;nbsp; The Other for One 2 0 0 7&#38;nbsp; Give My Love to Your Family&#38;nbsp;2 0 0 7&#38;nbsp; 
Sad Sam Revisited 2 0 0 4 Matija Ferlin’s work has been supported by : Ministry of Culture of the Republic of Slovenia . City Municipality of Ljubljana . Ministry of Culture of the Republic of Croatia . City of Pula . Istria County . Municipality of Svetvinčenat . Kultura Nova Foundation . Zagreb City Office for Culture, Education and Sport . The Canada Council for the Arts . Ontario Arts Council
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		<title>Projects s filtrima</title>
				
		<link>https://matijaferlin.com/Projects-s-filtrima</link>

		<pubDate>Thu, 04 Nov 2021 14:54:12 +0000</pubDate>

		<dc:creator>matija ferlin</dc:creator>

		<guid isPermaLink="true">https://matijaferlin.com/Projects-s-filtrima</guid>

		<description>Sad Sam Matthäus 2 0 2 1 &#38;nbsp;That Emerging Place&#38;nbsp;2 0 1 9 &#38;nbsp;A Piece For the Occasion 2 0 1 9 &#38;nbsp; Staging a Play: Antigone 2 0 1 8&#38;nbsp; Vladimir Nazor: Water 2 0 1 8&#38;nbsp; Choreography for Objects while the Performer is Absent&#38;nbsp;2 0 1 8 &#38;nbsp;Staging a Play: Tartuffe 2 0 1 7&#38;nbsp; In the Eyes 2 0 1 6&#38;nbsp; Students of Images 2 0 1 6&#38;nbsp; Jonah’s Dialogues 2 0 1 6&#38;nbsp; Staging a Play: Glass Menagerie 2 0 1 5&#38;nbsp; 
Out of Season 2 0 1 5&#38;nbsp; We are Kings not Humans 2 0 1 5&#38;nbsp; Students of Harmony 2 0 1 4&#38;nbsp; 
The Other at the Same Time 2 0 1 2&#38;nbsp; Sad Sam Lucky 2 0 1 2&#38;nbsp; Solitaires 2 0 1 1&#38;nbsp; Onformance 2 0 1 0&#38;nbsp; 
Sad Sam Almost 6 2 0 0 9&#38;nbsp; The Most Together We’ve Ever Been 2 0 0 9&#38;nbsp; The Other for One 2 0 0 7&#38;nbsp; Give My Love to Your Family&#38;nbsp;2 0 0 7&#38;nbsp; 
Sad Sam Revisited 2 0 0 4 Matija Ferlin’s work has been supported by : Ministry of Culture of the Republic of Slovenia . City Municipality of Ljubljana . Ministry of Culture of the Republic of Croatia . City of Pula . Istria County . Municipality of Svetvinčenat . Kultura Nova Foundation . Zagreb City Office for Culture, Education and Sport . The Canada Council for the Arts . Ontario Arts Council
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		<title>Sad Sam PPP</title>
				
		<link>https://matijaferlin.com/Sad-Sam-PPP</link>

		<pubDate>Tue, 22 Sep 2026 09:03:02 +0000</pubDate>

		<dc:creator>matija ferlin</dc:creator>

		<guid isPermaLink="true">https://matijaferlin.com/Sad-Sam-PPP</guid>

		<description>Sad Sam PPP&#38;nbsp;2 0 2 6


&#60;img width="1536" height="1024" width_o="1536" height_o="1024" data-src="https://freight.cargo.site/t/original/i/c79636c171454e703b7b4fe056c9fb86d014c30710c689e6d99b6f5d169984da/sad-sam-ppp.png" data-mid="252454156" border="0"  src="https://freight.cargo.site/w/1000/i/c79636c171454e703b7b4fe056c9fb86d014c30710c689e6d99b6f5d169984da/sad-sam-ppp.png" /&#62;
SAD SAM PPP . Direction, choreography, performance Matija Ferlin . Dramaturgy, text Goran Ferčec . Set design Mauricio Ferlin . Music, sound design&#38;nbsp;Luka Prinčič . Light Design&#38;nbsp;Dario Družeta .&#38;nbsp;Costume design&#38;nbsp;Matija Ferlin . Production&#38;nbsp;U.O. Provincija . Zavod Emanat . Partners&#38;nbsp;Zavod Bunker . Zagreb Youth Theatre . Mediterranean Dance Centre Svetvinčenat &#38;nbsp; &#38;nbsp;&#38;nbsp;SAD SAM PPP is a performance project that explores the final forty-eight hours of Pier Paolo Pasolini’s life through a dramaturgy of reversion. Taking the moment of death as its zero point, a chronology moving backwards in time reiterates different registers of possible Pasolinian bodies: the social being, the intellectual, and the private individual.
His dead body is thus repeatedly reconstituted as a living body of resistance, thought, and intellectual impulse. By returning to life, Pasolini as a subject is released from the moment of his death as the central point of a martyr-like biography and re-established as homo faber, a living builder of ideas.
With the director/performer guiding the collective body of the audience, the heavily burdened narrative of Pasolini’s death is, through a shared process, transposed from the register of historical biography into a collective act of vigil, remembrance, and the re-establishment of thought and resistance.

 
 &#38;nbsp; &#38;nbsp;was presented at :
	

	&#38;lt;–&#38;nbsp;SAD SAM REVISITED
	FRIEDRICH SCHILLER: MARIA STUART &#38;nbsp;–&#38;gt;
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		<title>Friedrich Schiller: Maria Stuart</title>
				
		<link>https://matijaferlin.com/Friedrich-Schiller-Maria-Stuart</link>

		<pubDate>Sun, 24 May 2026 09:20:26 +0000</pubDate>

		<dc:creator>matija ferlin</dc:creator>

		<guid isPermaLink="true">https://matijaferlin.com/Friedrich-Schiller-Maria-Stuart</guid>

		<description>Friedrich Schiller: Maria Stuart&#38;nbsp;2 0 2 6


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FRIEDRICH SCHILLER: MARIA STUART . Direction and choreographer Matija Ferlin . Dramaturge&#38;nbsp;Goran Ferčec . Composer and Sound Designer Miodrag Gladović Mijo . Set Designer Mauricio Ferlin . Costume Designers Matija Ferlin . Desanka Janković . Lighting Designer&#38;nbsp;Anton Modrušan . Language Consultant&#38;nbsp;Ines Carović . Assistant Dramaturge&#38;nbsp;Lucija Marković . Assistant Set Designer&#38;nbsp;Nika Vojvoda . Assistant Costume Designer&#38;nbsp;Đana Krstić . Stage Manager&#38;nbsp;Roko Grbin . Prompter&#38;nbsp;Danijela Zobunđija . Production&#38;nbsp;Croatian National Theatre Zagreb .&#38;nbsp;Performed by&#38;nbsp;Jadranka Đokić . Nina Violić . Luka Dragić . Dušan Gojić . Silvio Vovk . 
Domagoj Ikić . Livio Badurina . Marin Stević . Ivan Jončić . Iva Mihalić . 
Alen Šalinović . Tesa Litvan . Fabijan Komljenović &#38;nbsp; &#38;nbsp;&#38;nbsp;
PHOTOS BY JELENA JANKOVIĆ


was presented at :
	2026

HNK2, Zagreb, HRMay-June 2026


	&#38;lt;–&#38;nbsp;SAD SAM PPP
	JON FOSSE: SLEEP, MY BABY, SLEEP &#38;nbsp;–&#38;gt;
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		<title>Jon Fosse: Sleep, my baby, sleep</title>
				
		<link>https://matijaferlin.com/Jon-Fosse-Sleep-my-baby-sleep</link>

		<pubDate>Tue, 20 Jan 2026 19:39:13 +0000</pubDate>

		<dc:creator>matija ferlin</dc:creator>

		<guid isPermaLink="true">https://matijaferlin.com/Jon-Fosse-Sleep-my-baby-sleep</guid>

		<description>Jon Fosse: Sleep, My Baby, Sleep&#38;nbsp;2 0 2 5


&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/3e277b138ff0faa12ee8f09a55d09149ee1c2c9dd6263c6398aae1cd3bcd0371/WEB-REZOLUCIJA-spavaj-dijete-moje-13.jpg" data-mid="243663290" border="0"  src="https://freight.cargo.site/w/1000/i/3e277b138ff0faa12ee8f09a55d09149ee1c2c9dd6263c6398aae1cd3bcd0371/WEB-REZOLUCIJA-spavaj-dijete-moje-13.jpg" /&#62;
SLEEP, MY BABY, SLEEP . Dance performance based on the play by Jon Fosse .&#38;nbsp;Author Jon Fosse . Direction, choreography Matija Ferlin . In collaboration with dancers&#38;nbsp;Petra Chelfi . Martina Tomić . Ivana Pavlović . Petra Valentić&#38;nbsp;. Light design Anton Modrušan . Sound design Luka Prinčič . Costume design Desanka Janković . Matija Ferlin . Translation&#38;nbsp;Dubravko Torjanac . Masks&#38;nbsp;Mr. Mask . Graphic design&#38;nbsp;Tina Ivezić / Oaza . Video &#38;amp; trailer&#38;nbsp;Lovro Mrđen . Vid Begić . Marketing &#38;amp; PR&#38;nbsp;Ana Suntešić . Ivana Sansević . Production&#38;nbsp;Katana . Tras . In collaboration with&#38;nbsp;Mediterranean Dance Center San Vincenti . Zagreb Dance Center . Supported by&#38;nbsp;Ministry of Culture and Media of the Republic of Croatia . City of Zagreb &#38;nbsp; &#38;nbsp; In the context of the (specific) atmosphere of listening to Ferlin's voice, Fosse's play, as well as its dramaturgical paradigm, exists only in some symbolic field of powerful reflection. Ferlin's directing, choreography, rejects characters, names, characterization and plot, and instead builds an atmosphere of uncertainty and vulnerability through the body, through space, music, silence, and through fragments of movement. Just as Fosse asks the reader to listen – not just words, but breath, silence or rhythm – so too the play invites the audience to look-as-a-state-of-attention. Towards what? Towards micro-movement, uncertain transitions and the unspoken. In one of Fosse's most performed plays, Natta syng sine songar (1997), such a paradigm of forced listening has already been used, where, namely, the word “I” is repeated more than a hundred times, and such repetitiveness is not a mere figure, but exists in the language itself. It maintains tension, connection between characters, and a void that gives depth. This implies that communication in Fosse’s world is always uncertain, always fragile, so words come and go, leaving a trace but not providing answers. Such openness to uncertainty and ambiguity, a very “specific ambiguity”, becomes a space for the subjective filling of meaning, as well as for the individual resonance of the audience. Taking this principle, Ferlin’s choreography does not offer a clear, universal message – and does not impose meaning, but opens a vortex of sensation(s) or interpretation(s). The characters are nameless performers, and the performers are impersonal characters, without stable (inter)relationships; their existence is in the body, space, and time. Thus, the performance takes from Fosse’s poetics not only the stage form (silence, repetition, minimalism), but also the ethics of vulnerability, the acceptance of uncertainty – for the body and in the body, that is, for what is “between words”. In Ferlin's direction, ordinary movements or routines are made more difficult – both literally (weights on the performers' legs, which are not visible) and metaphorically – everything in the performance gains weight, becomes supportable, potent. By integrating Fosse's dramaturgical-aesthetic-poetic principles into its choreographic text, the performance builds a liminal world that hovers between reality and dream, which does not allow for a soothing reading, but rather encourages constant sensitization – towards vulnerability, towards the body, towards space. And in this vulnerability, a space for togetherness opens up – the viewer is no longer a distanced observer, but a participant invited to fill the void and experience meaning with their own perceptions and senses.
 
    Read more
 &#38;nbsp; &#38;nbsp;
PHOTOS BY JELENA JANKOVIĆ


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&#60;img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/0b5fd90836b57533d74392ac3f81a6092a81c9667e1faee096ec1a84ca6c5e10/WEB-REZOLUCIJA-SPAVAJ-DJETE-MOJE.-8-of-20.jpg" data-mid="243663295" border="0"  src="https://freight.cargo.site/w/1000/i/0b5fd90836b57533d74392ac3f81a6092a81c9667e1faee096ec1a84ca6c5e10/WEB-REZOLUCIJA-SPAVAJ-DJETE-MOJE.-8-of-20.jpg" /&#62;&#60;img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/ab27842134b0b9f2d5ad016027ca54034ad424943d2da5e55f78e90686b791ce/WEB-REZOLUCIJA-SPAVAJ-DJETE-MOJE.-15-of-20.jpg" data-mid="243663296" border="0"  src="https://freight.cargo.site/w/1000/i/ab27842134b0b9f2d5ad016027ca54034ad424943d2da5e55f78e90686b791ce/WEB-REZOLUCIJA-SPAVAJ-DJETE-MOJE.-15-of-20.jpg" /&#62;was presented at :
	2026

Mediterranean Dance Center, Svetvinčenat, HROctober 2026Transit Festival, Rijeka, HROctober 2026ZPC, Zagreb, HRApril 2026
ZPC, Zagreb, HRJanuary 2025
2025

ZPC, Zagreb, HRDecember 2025Mediterranean Dance Center, Svetvinčenat, HRNovember 2025


	&#38;lt;–&#38;nbsp;FRIEDRICH SCHILLER: MARIA STUART
	SHOW GONE &#38;nbsp;–&#38;gt;
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		<title>Show Gone</title>
				
		<link>https://matijaferlin.com/Show-Gone</link>

		<pubDate>Tue, 20 Jan 2026 17:21:55 +0000</pubDate>

		<dc:creator>matija ferlin</dc:creator>

		<guid isPermaLink="true">https://matijaferlin.com/Show-Gone</guid>

		<description>Show Gone&#38;nbsp;2 0 2 5


&#60;img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/3b9cbf37c1ca5af5acd316a4329493cd6f96ddf2557a4a1113e57538d8a9dca3/Show_Gone-Photo-web-15.jpg" data-mid="243661484" border="0"  src="https://freight.cargo.site/w/1000/i/3b9cbf37c1ca5af5acd316a4329493cd6f96ddf2557a4a1113e57538d8a9dca3/Show_Gone-Photo-web-15.jpg" /&#62;
SHOW GONE . Choreography and performance Matija Ferlin . Ame Henderson . Dramaturgy Goran Ferčec . Scenography Mauricio Ferlin . Light design Dario Družeta . Costumes Matija Ferlin . Desanka Janković . Artistic support Diego Gil . Katie Ward . Subtitles&#38;nbsp;David Gagnon Walker . Communications&#38;nbsp;Evan Webber . Documentation&#38;nbsp;Noel Pendawa . Technical direction&#38;nbsp;Darah Miah . Production&#38;nbsp;Provincija . Ame Henderson Projects . Coproduction&#38;nbsp;Agora de la danse . Public Recordings . Creative residencies&#38;nbsp;Agora de la danse . Mediterranean Dance Center Svetvinčenat . Support&#38;nbsp;Canada Council for the Arts . City of Pula . Ministry of Culture and Media of the Republic of Croatia&#38;nbsp;

PHOTOS BY NOEL PENDAWA
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was presented at :
	2026ZPC, Zagreb, HRMay 2026

MPC, Svetvinčenat, HRSeptember 2026Stara Mestna Elektrarna - Elektro Ljubljana, Ljubljana, SIMay 2026

Vancouver International Dance Festival, Vancouver, CAMarch 2026

2025

La Rotonde, Quebec City, CANovember 2025

Agora de la danse, Montreal, CANovember 2025

MPC, Svetvinčenat, HRSeptember 2025


	&#38;lt;– JON FOSSE: SLEEP, MY BABY, SLEEP
	MEG STUART: MATIJA (PORTRAIT) &#38;nbsp;–&#38;gt;
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		<title>Jean Luc Lagarce: Only the End of the World</title>
				
		<link>https://matijaferlin.com/Jean-Luc-Lagarce-Only-the-End-of-the-World</link>

		<pubDate>Tue, 20 Jan 2026 17:21:31 +0000</pubDate>

		<dc:creator>matija ferlin</dc:creator>

		<guid isPermaLink="true">https://matijaferlin.com/Jean-Luc-Lagarce-Only-the-End-of-the-World</guid>

		<description>Jean Luc Lagarce: Only the End of the World&#38;nbsp;2 0 2 4


&#60;img width="1772" height="1182" width_o="1772" height_o="1182" data-src="https://freight.cargo.site/t/original/i/cf072accc1bc8cd345b87dc85845a730ab77308b6c4c074457fa86d223112dd9/Samo-kraj-svijeta-11.jpg" data-mid="243642805" border="0"  src="https://freight.cargo.site/w/1000/i/cf072accc1bc8cd345b87dc85845a730ab77308b6c4c074457fa86d223112dd9/Samo-kraj-svijeta-11.jpg" /&#62;
JEAN LUC LAGARCE: ONLY THE END OF THE WORLD . Translator Zlatko Wurzberg . Director Matija Ferlin . Dramaturgy Goran Ferčec . Set designers Mauricio Ferlin, Josip Kresović . Costume designer Matija Ferlin . Choreographer Matija Ferlin . Costume design associate&#38;nbsp;Marta Žegura . Light designer&#38;nbsp;Elvis Butković . Music by&#38;nbsp;Luka Prinčič . Stage manager&#38;nbsp;Petra Prša . Graphic designer&#38;nbsp;Antonio Dolić . Photographer&#38;nbsp;Jelena Janković . Actors&#38;nbsp;Petra Svrtan . Dora Polić Vitez . Mia Melcher . Ugo Korani . Luka Knez . Produced by&#38;nbsp;Zagreb Youth Theatre . Istrian National Theatre - City Theatre Pula&#38;nbsp;Matija Ferlin’s directing of Lagarce transcends traditional drama to become a “rhapsodic scenic essay”, where the weight of the unspoken carries as much power as the spoken word. The narrative centers on Louis, a 34-year-old man who, shadowed by his own imminent mortality, returns to his childhood home after a long absence to face the family he left behind. His arrival triggers a visceral collision with his mother, his younger sister, his brother, and his sister-in-law, exposing deep-seated emotional wounds and the agonizing failure of communication between those who should be closest. Ferlin’s choreo-directorial signature treats Lagarce’s poetic language as a sixth character, using it to highlight the tension between the need for connection and the inability to achieve it. This duality is anchored by a ensemble as communitas, paraphrasing many elements of “the Ferlin oeuvre”, thus navigating a world where the body speaks as loudly as the script. The choreography of movement, particularly the physical dynamics between the brothers, breathes life into the characters’ existential crises, while Mauricio Ferlin and Josip Kresović’s opulent, dreamlike scenography of flowers and fences, much of it reused from a previous production, serves as a haunting backdrop. A particularly striking visual metaphor features the protagonist mirrored by a shadow-figure constructed from pieces of a coffin, emphasizing the inescapable presence of death. Through a blend of uncompromising research, grotesque humor, and physical intensity, Ferlin has not only delivered a sophisticated introspective piece but has also solidified his role as a transformative force in the cultural landscape of Pula, offering a poetic bonus to those open to the raw, fragmented power of contemporary theatre.
 
    Read more
PHOTOS BY JELENA JANKOVIĆ

&#60;img width="1182" height="1772" width_o="1182" height_o="1772" data-src="https://freight.cargo.site/t/original/i/9630271d0a8ec93d29c6708012ce7d36648a45258a97afd55a2242fc642fe30d/Samo-kraj-svijeta-2.jpg" data-mid="243642798" border="0"  src="https://freight.cargo.site/w/1000/i/9630271d0a8ec93d29c6708012ce7d36648a45258a97afd55a2242fc642fe30d/Samo-kraj-svijeta-2.jpg" /&#62;
&#60;img width="1024" height="1535" width_o="1024" height_o="1535" data-src="https://freight.cargo.site/t/original/i/6084355856669f60c9d62f4726cc9a506b511542b95540e1c83af32d02dce6de/Samo-kraj-svijeta-1.jpg" data-mid="243642797" border="0"  src="https://freight.cargo.site/w/1000/i/6084355856669f60c9d62f4726cc9a506b511542b95540e1c83af32d02dce6de/Samo-kraj-svijeta-1.jpg" /&#62;

&#60;img width="1772" height="1182" width_o="1772" height_o="1182" data-src="https://freight.cargo.site/t/original/i/d9481567c465361deebb998354dadc031b9a266b92c97927a0e207bccd0f108f/Samo-kraj-svijeta-4.jpg" data-mid="243642799" border="0"  src="https://freight.cargo.site/w/1000/i/d9481567c465361deebb998354dadc031b9a266b92c97927a0e207bccd0f108f/Samo-kraj-svijeta-4.jpg" /&#62;&#60;img width="1772" height="1182" width_o="1772" height_o="1182" data-src="https://freight.cargo.site/t/original/i/f27dbf9b76e0da9990f1b864f60571d08776d64954794ac8c042f798e62ff9de/Samo-kraj-svijeta-6.jpg" data-mid="243642800" border="0"  src="https://freight.cargo.site/w/1000/i/f27dbf9b76e0da9990f1b864f60571d08776d64954794ac8c042f798e62ff9de/Samo-kraj-svijeta-6.jpg" /&#62;&#60;img width="1772" height="1182" width_o="1772" height_o="1182" data-src="https://freight.cargo.site/t/original/i/1ecd3b831408351819dfe5eee903c64a5176ab0b8b1a62b0dd7d742fd2f74769/Samo-kraj-svijeta-10.jpg" data-mid="243642804" border="0"  src="https://freight.cargo.site/w/1000/i/1ecd3b831408351819dfe5eee903c64a5176ab0b8b1a62b0dd7d742fd2f74769/Samo-kraj-svijeta-10.jpg" /&#62;&#60;img width="1772" height="986" width_o="1772" height_o="986" data-src="https://freight.cargo.site/t/original/i/006d9401bbe8e171fa77f2dd98b9fd0aa9615bfa59c35ed70fbb03e51c84b273/Samo-kraj-svijeta-7-e1730982668725.jpg" data-mid="243642801" border="0"  src="https://freight.cargo.site/w/1000/i/006d9401bbe8e171fa77f2dd98b9fd0aa9615bfa59c35ed70fbb03e51c84b273/Samo-kraj-svijeta-7-e1730982668725.jpg" /&#62;

&#60;img width="1772" height="1182" width_o="1772" height_o="1182" data-src="https://freight.cargo.site/t/original/i/a2a8a5038a083f7b919d94de5063157c10096e188290220be3c39fa32ac326bc/Samo-kraj-svijeta-9.jpg" data-mid="243642803" border="0"  src="https://freight.cargo.site/w/1000/i/a2a8a5038a083f7b919d94de5063157c10096e188290220be3c39fa32ac326bc/Samo-kraj-svijeta-9.jpg" /&#62;&#60;img width="1772" height="1182" width_o="1772" height_o="1182" data-src="https://freight.cargo.site/t/original/i/f8bf53964407829e15fcffb65c3c1200ab13ea4758b3780b228aeca78604dc78/Samo-kraj-svijeta-8.jpg" data-mid="243642802" border="0"  src="https://freight.cargo.site/w/1000/i/f8bf53964407829e15fcffb65c3c1200ab13ea4758b3780b228aeca78604dc78/Samo-kraj-svijeta-8.jpg" /&#62;&#60;img width="1772" height="1182" width_o="1772" height_o="1182" data-src="https://freight.cargo.site/t/original/i/f988b6caf0a1856b5273876d7c09ed0a52f41dd145fa12f1866121ebfe4c364f/Samo-kraj-svijeta-14-e1730982686871.jpg" data-mid="243642807" border="0"  src="https://freight.cargo.site/w/1000/i/f988b6caf0a1856b5273876d7c09ed0a52f41dd145fa12f1866121ebfe4c364f/Samo-kraj-svijeta-14-e1730982686871.jpg" /&#62;was presented at :
	2025
ZKM, Zagreb Youth Theatre, Zagreb, HRMarch 2025ZKM, Zagreb Youth Theatre, Zagreb, HRFebruary 2025
INK, Istrian National Theatre, Pula, HRJanuary 2025ZKM, Zagreb Youth Theatre, Zagreb, HRJanuary 2025


2024
ZKM, Zagreb Youth Theatre, Zagreb, HRDecember 2024INK, Istrian National Theatre, Pula, HRNovember 2024


ZKM, Zagreb Youth Theatre, Zagreb, HRNovember 2024


	&#38;lt;–&#38;nbsp;SHOW GONE
	JAZZINO&#38;nbsp;–&#38;gt;
</description>
		
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	<item>
		<title>Meg Stuart: Matija (Portrait)</title>
				
		<link>https://matijaferlin.com/Meg-Stuart-Matija-Portrait</link>

		<pubDate>Fri, 23 Jan 2026 11:01:44 +0000</pubDate>

		<dc:creator>matija ferlin</dc:creator>

		<guid isPermaLink="true">https://matijaferlin.com/Meg-Stuart-Matija-Portrait</guid>

		<description>Meg Stuart: Matija (Portrait)&#38;nbsp;2 0 2 4


&#60;img width="2500" height="1406" width_o="2500" height_o="1406" data-src="https://freight.cargo.site/t/original/i/e4d31f4162a58f2ee069a04af27c157bf025fbae4cd51fa80702456ce0512c7a/w_Screenshot-2026-01-22-at-13.04.42.jpg" data-mid="243967546" border="0"  src="https://freight.cargo.site/w/1000/i/e4d31f4162a58f2ee069a04af27c157bf025fbae4cd51fa80702456ce0512c7a/w_Screenshot-2026-01-22-at-13.04.42.jpg" /&#62;
MEG STUART: MATIJA (PORTRAIT)&#38;nbsp;. Video, 7’ by Meg Stuart . Performed by Matija Ferlin . Music Brendan Dougherty . Camera Michele Bulešić . Technical support Teo Morosin . Production Meg Stuart&#38;nbsp; . Coproduction&#38;nbsp;Provincija . Supported by&#38;nbsp;Ministry of Culture and Media of the Republic of Croatia&#38;nbsp;

&#60;img width="2500" height="1406" width_o="2500" height_o="1406" data-src="https://freight.cargo.site/t/original/i/160e762e63b754432351898444a61eff001bd17efbed32fea2e5cb10543458d4/w_Screenshot-2026-01-22-at-13.01.25.jpg" data-mid="243967533" border="0"  src="https://freight.cargo.site/w/1000/i/160e762e63b754432351898444a61eff001bd17efbed32fea2e5cb10543458d4/w_Screenshot-2026-01-22-at-13.01.25.jpg" /&#62;&#60;img width="2500" height="1406" width_o="2500" height_o="1406" data-src="https://freight.cargo.site/t/original/i/0d96782f8ef39e72f39f57df0273e64844b6cfd65d3c0739bed23dbf2a242962/w_Screenshot-2026-01-22-at-13.01.55.jpg" data-mid="243967536" border="0"  src="https://freight.cargo.site/w/1000/i/0d96782f8ef39e72f39f57df0273e64844b6cfd65d3c0739bed23dbf2a242962/w_Screenshot-2026-01-22-at-13.01.55.jpg" /&#62;&#60;img width="2500" height="1406" width_o="2500" height_o="1406" data-src="https://freight.cargo.site/t/original/i/5ae6cad12fdd51f9d3036806bcb4187589f0dcb27d9eea123d21b3976e528b6a/w_Screenshot-2026-01-22-at-13.03.43.jpg" data-mid="243967544" border="0"  src="https://freight.cargo.site/w/1000/i/5ae6cad12fdd51f9d3036806bcb4187589f0dcb27d9eea123d21b3976e528b6a/w_Screenshot-2026-01-22-at-13.03.43.jpg" /&#62;&#60;img width="2500" height="1406" width_o="2500" height_o="1406" data-src="https://freight.cargo.site/t/original/i/9f0850ca58344fd5e50ff2f87eeb49e2451958334082aae9b906c6622f850e42/w_Screenshot-2026-01-22-at-13.06.55.jpg" data-mid="243967549" border="0"  src="https://freight.cargo.site/w/1000/i/9f0850ca58344fd5e50ff2f87eeb49e2451958334082aae9b906c6622f850e42/w_Screenshot-2026-01-22-at-13.06.55.jpg" /&#62;&#60;img width="2500" height="1406" width_o="2500" height_o="1406" data-src="https://freight.cargo.site/t/original/i/d483dbca707a9f88162513396b69b6ffca1d89453a54222ee87636b2bdd9c247/w_Screenshot-2026-01-22-at-13.08.02.jpg" data-mid="243967551" border="0"  src="https://freight.cargo.site/w/1000/i/d483dbca707a9f88162513396b69b6ffca1d89453a54222ee87636b2bdd9c247/w_Screenshot-2026-01-22-at-13.08.02.jpg" /&#62;&#60;img width="2500" height="1406" width_o="2500" height_o="1406" data-src="https://freight.cargo.site/t/original/i/eb7e083ea1cd68d09c479da1d44b34f99dde92c89f6b1d86dc35d5f782dfa465/w_Screenshot-2026-01-22-at-13.09.06.jpg" data-mid="243967552" border="0"  src="https://freight.cargo.site/w/1000/i/eb7e083ea1cd68d09c479da1d44b34f99dde92c89f6b1d86dc35d5f782dfa465/w_Screenshot-2026-01-22-at-13.09.06.jpg" /&#62;&#60;img width="2500" height="1406" width_o="2500" height_o="1406" data-src="https://freight.cargo.site/t/original/i/6afbec73cdb133697f7db71ecbdc1048e8817001bb35d1a20bce3a138231e5c9/w_Screenshot-2026-01-22-at-13.09.26.jpg" data-mid="243967553" border="0"  src="https://freight.cargo.site/w/1000/i/6afbec73cdb133697f7db71ecbdc1048e8817001bb35d1a20bce3a138231e5c9/w_Screenshot-2026-01-22-at-13.09.26.jpg" /&#62;
was presented at :
	2025
Ebensperger am Fichtebunker, Berlin, DESeptember—October 2025
&#38;lt;– SHOW GONE
	ONLY THE END OF THE WORLD –&#38;gt;</description>
		
	</item>
		
		
	<item>
		<title>Jazzino</title>
				
		<link>https://matijaferlin.com/Jazzino</link>

		<pubDate>Tue, 20 Jan 2026 16:53:41 +0000</pubDate>

		<dc:creator>matija ferlin</dc:creator>

		<guid isPermaLink="true">https://matijaferlin.com/Jazzino</guid>

		<description>Jazzino&#38;nbsp;2 0 2 3


&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/990daa238cb40541b240a1ec7eff400947ee1f75fa4cf343425754a196c26151/IMG_2055-scaled.jpg" data-mid="243639880" border="0"  src="https://freight.cargo.site/w/1000/i/990daa238cb40541b240a1ec7eff400947ee1f75fa4cf343425754a196c26151/IMG_2055-scaled.jpg" /&#62;
JAZZINO . Concept Matija Ferlin . Music arranged by Carlos Andrés Fagin . Band members Srđan Kuzmanović (double bass) . Marco Quarantotto (drums) . Carlos Andrés Fagin (piano) . Sonja Domitrović (saxophones) . Branko Šterpin (trumper) . Gabrijela Galant Jelinić (vocals) . Costume and set design Matija Ferlin . Light design Dario Družeta . Sound design, sound engineers Bruno Legović, Vedran Đukić . Production&#38;nbsp;Istrian National Theatre Pula &#38;nbsp;
PHOTOS BY MANUEL ANGELINI
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/f8035eee50f2e7f8654d8cbde8f6f49fb5e788ad157a87cdfd6e417f31a55af5/IMG_2086-scaled.jpg" data-mid="243639885" border="0"  src="https://freight.cargo.site/w/1000/i/f8035eee50f2e7f8654d8cbde8f6f49fb5e788ad157a87cdfd6e417f31a55af5/IMG_2086-scaled.jpg" /&#62;&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/686534e766a5dcd863247b380fd0bf4e3df7f8a927668dbcfa0a8fc1e7dcd539/IMG_2085-scaled.jpg" data-mid="243639884" border="0"  src="https://freight.cargo.site/w/1000/i/686534e766a5dcd863247b380fd0bf4e3df7f8a927668dbcfa0a8fc1e7dcd539/IMG_2085-scaled.jpg" /&#62;&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/7011af960444ffec3791fcfa71e637d718fb93cb7f57fb636dbab153d5ba6a73/IMG_2064-scaled.jpg" data-mid="243639882" border="0"  src="https://freight.cargo.site/w/1000/i/7011af960444ffec3791fcfa71e637d718fb93cb7f57fb636dbab153d5ba6a73/IMG_2064-scaled.jpg" /&#62;&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/4ef57009ceace53bd5823c1b41d2750121d3229f8f1499413facf7fe913e89a4/IMG_2078-scaled.jpg" data-mid="243639916" border="0"  src="https://freight.cargo.site/w/1000/i/4ef57009ceace53bd5823c1b41d2750121d3229f8f1499413facf7fe913e89a4/IMG_2078-scaled.jpg" /&#62;

&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/c80c36a83416844d9527b9b0c701de811e0517578e8eb48aa0695674835351a6/IMG_2089-scaled.jpg" data-mid="243639886" border="0"  src="https://freight.cargo.site/w/1000/i/c80c36a83416844d9527b9b0c701de811e0517578e8eb48aa0695674835351a6/IMG_2089-scaled.jpg" /&#62;
was presented at :
	2025

Kliker festival, National Theatre of Croatia in Varaždin, HRMay 2025KD Vatroslav Lisinski, Zagreb, HRMay 2025Monte Librić, Pula, HRMay 2025Istrian National Theatre, Pula, HRApril—May 2025
2024
Istrian National Theatre, Pula, HROctober 202464. Međunarodni dječji festival, Šibenik, HRJuly 2024POU Buzet, Buzet, HRMarch 2024


2023

Istrian National Theatre, Pula, HRDecember 2024Istrian National Theatre, Pula, HROctober 2024


	&#38;lt;– ONLY THE END OF THE WORLD
	JON FOSSE: MOTHER AND CHILD&#38;nbsp;–&#38;gt;
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